American Fiction in the Cold War (History of American Thought and Culture)

American Fiction in the Cold War (History of American Thought and Culture)

Thomas H. Schaub

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American Fiction in the Cold War (History of American Tho...
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Book details

Author
Thomas H. Schaub
Publisher
University of Wisconsin Press
Format
Paperback
Language
English
Category
Criticism & Theory
Condition
New
ISBN-13
9780299128449
ISBN-10
029912844X
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American Fiction in the Cold War (History of American Thought and Culture)

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Product description

ISBN: 029912844X

Author: Schaub, Thomas H.

Condition: New

In American Fiction in the Cold War Thomas Hill Schaub makes it clear that Trillings summary was in itself a mythic reconstruction, a prominent example of the way liberal writers in the late 1940s and 1950s came to terms with their political past. Schaubs book brilliantly analyzes their efforts to reshape an old liberalism alleged to hold naively optimistic views of human nature, scientific reason, and social progress into a new, skeptical liberalism that recognized the persistence of human evil, the fragility of reason, and the ambiguity of moral decision.Most important, as American Fiction in the Cold War demonstrates, these liberal reassessments of history, politics, human nature, and destiny-what Schaub calls the liberal narrative-mediated the critical and imaginative production of the literary community after World War II. Schaub shows that the elements of this narrative are visible in a wide spectrum of cultural narratives in American history, political philosophy, and social criticism during the Cold War era. His analysis of the dominant critical communities of the late 1940s-led by critics such as Lionel Trilling and Irving Howe, Cleanth Brooks and Allen Tate-recovers the political meanings embedded within their debates over the nature of literary realism, the definition of the novel, and speculations on its death.In the second part of his study, Schaub turns to Ralph Ellison, Flannery OConnor, Norman Mailer, and John Barth. His readings of their fiction isolate the political and cultural content of works often faulted for their apparent efforts to transcend social history. Reviewing John Barths End of the Road, for example, he shows the politics of culture concealed within what seems to be a philosophical narrative. In novel after novel, he demonstrates, the liberal narrative is operating from within, tuning and steering the direction of the plot and the creation of the character. Schaubs penetrating exploration of the relationship between U.S. political and social thought and the literary consciousness in the early postwar years will be of interest to intellectual historians and to students of American literary culture.

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American Fiction in the Cold War (History of American Thought and Culture)

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